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Il centro di costumi Anna Wintour è un'ala del Metropolitan Museum of Art che ospita la collezione del Costume Institute. Il centro è chiamayo Anna Wintour, direttrice di Vogue, direttrice artistica di Condé Nast e presidente del Gala Met Gala, dal 1995. Il nome è stato dato da Lizzie e Jonathan Tisch [1]. Il curatore è Andrew Bolton. [2]

The Anna Wintour Costume Center is a wing of the Metropolitan Museum of Art that houses the collection of the Costume Institute. The center is named after Anna Wintour, editor-in-chief of Vogue, artistic director of Condé Nast, and chair of the museum's annual Met Gala since 1995. It was endowed by Lizzie and Jonathan Tisch.[1] The curator is Andrew Bolton.[2] Il centro è stato formalmente aperto dalla First Lady degli Stati Uniti Michelle Obama il 5 maggio 2014. [3] Molte persone famose, come Sarah Jessica Parker, Diane Von Furstenberg, Tory Burch, Zac Posen, Ralph Lauren e Donatella Versace, erano presenti all'apertura del centro. [4] [5] [6] [7]

The center was formally opened by the First Lady of the United States Michelle Obama on May 5, 2014.[3] Many famous people, such as Sarah Jessica Parker, Diane Von Furstenberg, Tory Burch, Zac Posen, Ralph Lauren, and Donatella Versace, were at the center's opening.[4][5][6][7]

History[modifica | modifica wikitesto]

Nel 1902, Irene e Alice Lewisohn diventarono erede adolescenti e decisero di unirsi ad altri ricchi amici di New York nel lavoro comunitario. Iniziarono a trascorrere un po' di tempo presso la Casa delle Riforme di Henry Street a New York, un centro di comunità dedicato all'integrazione delle famiglie immigrate. Alice, che ha lavorato nel teatro, ha iniziato a lavorare come insegnante di recitazione drammatica, mentre Irene si è dedicata alle coreografie ballate. Mentre alla Settlement House iniziarono a presentare spettacoli nel 1915, le sorelle con Rita Wallach Morgenthau costruiscono e fondano il Neighborhood Playhouse nel quartiere all'angolo di Grand e Pitt Street, dove tra il 1915 e il 1927, il teatro è presentato da Shaw, Joyce e Dunsany.???

In 1902, Irene and Alice Lewisohn became teenage heiresses and decided to join other wealthy New York friends in community work. They began to spend time at the Henry Street Settlement House in New York, a community center devoted to the integration of immigrant families and since 1909 host to summer camps for girls and boys from underprivileged New York families. [senza fonte] Alice, who acted in plays herself, began working as a drama teacher, while Irene devoted herself to dance productions. While at the Settlement House they also began to present performances and in 1915, the sisters joined Rita Wallach Morgenthau to build and found the Neighborhood Playhouse on the corner of Grand and Pitt Streets, where between 1915 and 1927, the theater presented plays by Shaw, Joyce, and Dunsany.

Robe à la française 1740s, as seen in one of the exhibits at the Costume Institute

Ora è chiamato Abrons Arts Center, il teatro continua a mostrare molti programmi di arti settlementali??. Aline Bernstein ha fatto il suo apprendistato dal 1915 al 1924 progettando costumi e scenografie. Dal 1928 le quattro donne hanno spostato le loro attività nella Neighborhood Playhouse School of the Theatre a 340 East 54th Street. Questa è diventata una scuola di formazione degli attori e agli studenti sono stati offerti un programma di due anni di formale formazione di danza per diventare professionisti. Sia Gregory Peck che Anna Sokolow erano studenti di Martha Graham.

Now called the Abrons Arts Center, the theater continues to showcase many Settlement arts programs. Aline Bernstein served her apprenticeship there from 1915-1924 designing costumes and stage sets. From 1928 the four women moved their operations to the Neighborhood Playhouse School of the Theatre at 340 East 54th Street. There it became an actor training school and students were offered a two-year program formal drama and dance training to become professionals. Both Gregory Peck and Anna Sokolow were students of Martha Graham there.

Durante gli anni di attività della scuola teatrale e di produzioni teatrali, si è formato una serie di conoscenze riguardanti l'acting, la produzione teatrale, il costume, il set e la scenografia. Alla fine Irene aprì una casa per la sua biblioteca chiamata Museum of Costume Art sulla Fifth Avenue nel 1937. [8] Aline Bernstein la aiutò con la raccolta e la presentazione. Dopo la guerra nel 1946 si trasferì al primo piano del Metropolitan Museum of Art, e nel 1960 le due organizzazioni si sono unite, e il Met è ora sede della Biblioteca di riferimento costume Irene Lewisohn. Dal 1946, con l'aiuto dell'editore di moda Eleanor Lambert, l'istituto ha ospitato il Met Gala annuale per raccogliere fondi per le spese operative [9].

During their years of running the school theatre and producing plays, a body of knowledge was formed about acting, theater production, and costume, set and stage design. Eventually Irene opened a home for her library called the Museum of Costume Art on Fifth Avenue in 1937.[8] Aline Bernstein helped her with the collection and presentation. After the war in 1946 it moved to the first floor of the Metropolitan Museum of Art, and in 1960 the two organizations merged, and the Met is now home to the Irene Lewisohn Costume Reference Library.

Since 1946, with help from the fashion publicist Eleanor Lambert, the institute has hosted the annual Met Gala, to raise money for operating expenses.[9]

Nel 2008 la American Costume Collection del Museo di Brooklyn si è unita al Costume Institute, un sistema di risparmio dei costi che viene dopo anni di stretta collaborazione tra le due organizzazioni. La collezione del museo di Brooklyn è la più antica, essendo stata formata da donazioni private da ex personaggi della società ad alta società di New York, partendo dalla donazione nel 1903 di un abito di crepe crema del 1892 indossato da Kate Mallory Williams alla sua laurea presso il Brooklyn Heights Seminary. ] Prima dell'unione, sono stati digitalizzati 23.500 oggetti della collezione di Brooklyn e queste immagini sono ora condivise da entrambe le organizzazioni. [10] Al momento della fusione, la collezione costume Met è composta da 31.000 oggetti dal XVII secolo in poi [10]. La mostra di apertura del 2014 presenta il lavoro del designer britannico Charles James, importante fashion della moda di New York degli anni '40 e '50 e che lavora nella collezione di Brooklyn. [3] L'8 settembre del 2015, è stato annunciato che Harold Koda avrebbe abbandonato la sua carica di Curatore in carica del Costume Institute. Andrew Bolton, che nel 2002 è entrato a far parte del Costume Institute come curatore associato ed è stato curatore nel 2006, è stato annunciato come suo sostituto. [11] Nel maggio del 2017, il Costume Institute ha presentato una mostra dal titolo Rei Kawakubo / Comme des Garçons. La mostra sarà la prima mostra del Costume Institute dedicata a un designer vivente da Yves Saint Laurent nel 1983. [12]

In 2008, the American Costume Collection of the Brooklyn Museum merged into the Costume Institute, a cost-saving scheme coming after years of close collaboration between the two organizations. The collection of the Brooklyn museum is older, having been formed from private donations by former New York high society personalities, beginning with the donation in 1903 of an 1892 cream crepe dress worn by Kate Mallory Williams at her graduation from Brooklyn Heights Seminary.[9] Prior to the move, 23,500 objects from the Brooklyn collection were digitized and these images are now shared by both organizations.[10] At the time of the merger, the Met costume collection consisted of 31,000 objects from the 17th-century onwards.[10] The opening exhibition in 2014 featured work by British-born designer Charles James, an important figure in New York fashion of the 1940s and 1950s and whose work is in the Brooklyn collection. [3]

On September 8, 2015, it was announced that Harold Koda would be stepping down from his position as Curator in Charge of the Costume Institute. Andrew Bolton, who had joined the Costume Institute in 2002 as associate curator and was made curator in 2006, was announced as his replacement.[11]

In May 2017, the Costume Institute will feature an exhibition entitled Rei Kawakubo/Comme des Garçons. The exhibit will be the Costume Institute's first exhibition focusing on a living designer since Yves Saint Laurent in 1983.[12]

Lista delle esibizioni[modifica | modifica wikitesto]

  • 1971–1972: Fashion Plate (ottobre 1971 – gennaio 1972)[13][14]
  • 1972–1973: Untailored Garments (gennaio–luglio 1972)[15][16]
  • 1973–1974: The World of Balenciaga (March–September 1973)[17]
  • 1974–1975: Romantic and Glamorous Hollywood Design (November 1974 – August 1975)[14][18]
  • 1975–1976: American Women of Style (December 1975 – August 1976)[14][19]
  • 1976–1977: The Glory of Russian Costume (December 1976 – August 1977)[14][20][21]
  • 1977–1978: Vanity Fair: A Treasure Trove (December 1977– September 1978)[14][22]
  • 1978–1979: Diaghilev: Costumes and Designs of the Ballets Russes (November 1978 – June 1979)[14]
  • 1979–1980: Fashions of the Habsburg Era: Austria-Hungary (December 1979 – August 1980)[14][23]
  • 1980–1981: The Manchu Dragon: Costumes of China, the Chi'ng Dynasty (December 1980 – August 1981)[14]
  • 1981–1982: The Eighteenth-Century Woman (December 1981 – September 1982)[14][24][25]
  • 1982–1983: Le Belle Époque (December 1982 – September 1983)[14][26]
  • 1983–1984: Yves Saint Laurent: 25 Years of Design (December 1983 – September 1984)[14][27]
  • 1984–1985: Man and the Horse (December 1984 – September 1985)[14][28]
  • 1985–1986: Costumes of Royal India (December 1985 – August 1986)[14][29]
  • 1986–1987: Dance (December 1986 – September 1987)[14][30]
  • 1987–1988: In Style: Celebrating Fifty Years of the Costume Institute (November 1987 – April 1988)[14][31]
  • 1988–1989: From Queen to Empress: Victorian Dress 1837–1877 (December 1988 – April 1989)[14][32]
  • 1989–1990: The Age of Napoleon: Costume from Revolution to Empire, 1789–1815 (December 1989 – April 1990)[14]
  • 1990–1991: Théâtre de la Mode – Fashion Dolls: The Survival of Haute Couture (December 1990 – April 1991)[14]
  • 1991–1992: Gala held, but no concurrent costume exhibition[33]
  • 1992–1993: Fashion and History: A Dialogue (December 1992 – March 1993)[14][34]
  • 1993–1994: Diana Vreeland: Immoderate Style (December 1993 – March 1994)[14][35]
  • 1994–1995: Orientalism: Visions of the East in western dress (December 1994 – March 1995)[14][36][37]
  • 1995–1996: Haute Couture (December 1995 – March 1996)[14][38]
  • 1996–1997: Christian Dior (December 1996 – March 1997)[14][39][40]
  • 1997–1998: Gianni Versace (December 1997 – March 1998)[14][41][42][43]
  • 1998–1999: Cubism and Fashion (December 10, 1998 – March 14, 1999)[14][44]
  • 1999–2000: Rock Style (December 9, 1999 – March 19, 2000)[14][45]
  • 2000–2001: No costume exhibition presented[46]
  • 2001: Jacqueline Kennedy: The White House Years (May 1 –luglio 29, 2001)[14][47]
  • 2001–2002: No costume exhibition gala presented[46]
  • 2003: Goddess: The Classical Mode (May 1 – August 3, 2003)[14][48]
  • 2004: Dangerous Liaisons: Fashion and Furniture in the 18th Century (April 2?, –August 8, 2004)[14][49]
  • 2005: The House of Chanel (May 5 –August 7, 2005)[14][50]
  • 2006: AngloMania: Tradition and Transgression in British Fashion (May 3 –September 6, 2006)[14][51]
  • 2007: Poiret: King of Fashion (May 9 –August 5, 2007)[14][52][53]
  • 2008: Superheroes: Fashion and Fantasy (May 7 –September 1, 2008)[14][54][55]
  • 2009: The Model As Muse: Embodying Fashion (May 6 –August 9, 2009)[14][56][57][58]
  • 2010: American Woman: Fashioning a National Identity (May 5 –August 10, 2010)[14][59][60][61]
  • 2011: Alexander McQueen: Savage Beauty (May 4 –August 7, 2011)[14][62][63][64]
  • 2012: Schiaparelli and Prada: Impossible Conversations (May 10 –August 19, 2012)[65]
  • 2013: Punk: Chaos to Couture (May 9 –August 14, 2013)[66][67]
  • 2014: Charles James: Beyond Fashion (May 8 –August 10, 2014)[68][69][70]
  • 2014-2015: Death Becomes Her: A Century of Mourning Attire (October 21, 2014 - February 1, 2015)[71]
  • 2015: China: Through the Looking Glass• (May 7 – September 7, 2015)[72]
  • 2015-2016: Jacqueline de Ribes: The Art of Style (November 19, 2015 - February 21, 2016)[73]
  • 2016: Manus x Machina: Fashion In An Age Of Technology (May 5 - September 5, 2016)[74]
  • 2016-2017: Masterworks: Unpacking Fashion (November 18, 2016 - February 5, 2017)[75]
  • 2017: Rei Kawakubo/Comme des Garçons (May 4 - September 4, 2017)[76]

China: Through the Looking Glass is the most visited exhibition in the Center's history with 815,992 visitors (fifth most visited in the Museum's history). Alexander McQueen: Savage Beauty is the second most visited with 661,509 visitors (ninth most visited in the Museum's History).[77]

References[modifica | modifica wikitesto]

  1. ^ Karimzadeh, Marc, Met Names Costume Institute Complex in Honor of Anna Wintour, su wwd.com, WWD, 14 January 2014. URL consultato il 15 January 2014.
  2. ^ At the Met, Andrew Bolton Is the Storyteller in Chief, New York Times, 29 April 2015. URL consultato il 13 August 2015.
  3. ^ a b Karimzadeh, Marc, Michelle Obama Cuts the Ribbon at Anna Wintour Costume Center, su wwd.com, WWD, 5 May 2014. URL consultato il 7 May 2014.
  4. ^ Michelle Obama to open Anna Wintour's Met costume center, su usatoday.com, 30 aprile 2014. URL consultato il 6 maggio 2014.
  5. ^ First lady of fashion Anna Wintour gets teary as First Lady Michelle Obama honors her at the Met, su nydailynews.com, NY Daily News, 17 marzo 2006. URL consultato il 6 maggio 2014.
  6. ^ Tiffany Yannetta, Inside the Anna Wintour Costume Center's Charles James Exhibit - Afternoon at the Museum - Racked NY, su ny.racked.com. URL consultato il 6 maggio 2014.
  7. ^ Michelle Obama Cuts the Ribbon for New Anna Wintour Costume Center - Speakeasy - WSJ, su blogs.wsj.com, 17 aprile 2012. URL consultato il 6 maggio 2014.
  8. ^ 1944, su playbill.com, Playbill. URL consultato il 16 dicembre 2008.
    «Philanthropist Irene Lewisohn died today in New York City. She and her sister Alice built and endowed the Neighborhood Playhouse. With Aline Bernstein she founded the Museum of Costume Art on Fifth Avenue in 1937.»
  9. ^ a b Brooklyn Museum’s Costume Treasures Going to the Met, New York Times article in December 2008
  10. ^ a b Collection of the Brooklyn Museum costumes on Artstor
  11. ^ http://www.metmuseum.org/press/news/2015/harold-koda-retirement
  12. ^ http://www.vogue.com/13495073/met-gala-2017-theme-rei-kawakubo-comme-des-garcons/
  13. ^ Cavallo, Adolph S, Fashion Plate: An Opening Exhibition for the New Costume Institute (PDF), in The Metropolitan Museum of Art Bulletin, vol. 30, n. 1, October 1971, p. 5, DOI:10.2307/3258574. URL consultato il 23 maggio 2014.
  14. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj Museum Exhibitions 1870–2012 (PDF), su libmma.org, Metropolitan Museum of Art. URL consultato il 24 maggio 2014.
  15. ^ Costume Institute opens new exhibition, su libmma.contentdm.oclc.org, Metropolitan Museum of Art, gennaio 1972. URL consultato il 23 maggio 2014.
    «The Costume Institute of The Metropolitan Museum of Art opens its second exhibition on Wednesday, gennaio 26. Entitled Untailored Garments it presents a diverse assemblage of clothing—mostly non-European in origin—which is folded and draped on the human body rather than cut and seamed.»
  16. ^ Around Town:Museums, in New York, June 19, 1972. URL consultato il 23 maggio 2014.
  17. ^ Diana Vreeland: Immoderate Style, New York, Metropolitan Museum of Art, 1993, p. 15, ISBN 9780870996917. URL consultato il 23 maggio 2014.
  18. ^ In and Around Town:Museums, in New York, August 25, 1975. URL consultato il 23 maggio 2014.
  19. ^ New Costume Institute exhibition, American women of style, to open at Metropolitan Museum December 13, su libmma.contentdm.oclc.org, Metropolitan Museum of Art, December 1975. URL consultato il 23 maggio 2014.
  20. ^ Museum to Exhibit Old Russian Clothes, November 9, 1975. URL consultato il 24 maggio 2014.
  21. ^ History of Russian costume from the eleventh to the twentieth century : from the collections of the Arsenal Museum, Leningrad ; Hermitage, Leningrad ; Historical Museum, Moscow ; Kremlin Museums, Moscow ; Pavlovsk Museum / [catalogue compiled by T.S. Alyoshina, I.I. Vishnevskaya, L.V. Efimova, T.T. Korshunova. V.A. Malm, E. Yu. Moiseenko, M.M. Postnokova-Loseva, E.P. Chernukha], su libmma.contentdm.oclc.org. URL consultato il 24 maggio 2014.
  22. ^ Treasure trove of costumes, November 2, 1977. URL consultato il 24 maggio 2014.
  23. ^ Cone, Polly (a cura di), The Imperial Style: Fashions of the Hapsburg Era: Based on the Exhibition "Fashions of the Hapsburg era, Austria-Hungary" at the Metropolitan Museum of Art, December 1979 – August 1980, New York, Metropolitan Museum of Art, 1980, ISBN 0870992325. URL consultato il 24 maggio 2014.
  24. ^ Bernadine Morris, 18th Century Sparks Gala Fashion Night, December 8, 1981. URL consultato il 27 May 2014.
  25. ^ Andre Leon Talley, Vreeland's Show, December 6, 1981. URL consultato il 26 May 2014.
  26. ^ John Duka, La Belle Europe Reigns Again At Met Museum, December 7, 1982. URL consultato il 27 May 2014.
  27. ^ Bernadine Morris, Gala Night at Met Hails Saint Laurent, December 6, 1983. URL consultato il 27 May 2014.
  28. ^ Bernadine Morris, At Costume Institute Show, Equestrian is the Theme, December 4, 1984. URL consultato il 27 May 2014.
  29. ^ Bernadine Morris, A Celebration of Royal India's Fashions, December 10, 1985. URL consultato il 26 May 2014.
  30. ^ Bernadine Morris, Amid Costumes A Little Night Music, December 10, 1986. URL consultato il 27 May 2014.
  31. ^ Bernadine Morris, Spectacular outfits abound at 15th annual costume gala, December 8, 1997. URL consultato il 27 May 2014.
  32. ^ Bernadine Morris, Costume Show: Victorian Elegance, December 6, 1988. URL consultato il 27 May 2014.
  33. ^ In Decked Halls, Wassails, December 15, 1991. URL consultato il 26 May 2014.
  34. ^ Bernadine Morris, Review/Fashion; Costume Change At the Met, December 8, 1992. URL consultato il 26 May 2014.
  35. ^ EVENING HOURS; The Ladies in Red, December 12, 1993. URL consultato il 26 May 2014.
  36. ^ Orientalism: Visions of the East in Western Dress, Metropolitan Museum of Art, ISBN 0870997335.
  37. ^ Georgia Dullea, Glamour Guys for the Ball, September 25, 1994. URL consultato il 26 May 2014.
  38. ^ Nadine Brozan, Chronicle, October 9, 1995. URL consultato il 27 May 2014.
  39. ^ USA: NEW YORK: CHRISTIAN DIOR'S COSTUME INSTITUTE GALA, su aparchive.com, Associated Press. URL consultato il 26 May 2014.
  40. ^ Nadine Brozan, Chronicle, August 1, 1996. URL consultato il 26 May 2014.
  41. ^ Frank DiGiacomo, Inside the sold-out Costume Institute gala, December 15, 1997. URL consultato il 26 May 2014.
  42. ^ Suzy Menkes, The Verve and Vivacity of Versace in Met Retrospective, December 9, 1997. URL consultato il 26 May 2014.
  43. ^ Constance C.R. White, At the Met, a Golden Melting Pot, December 11, 1997. URL consultato il 26 May 2014.
  44. ^ CUBISM AND FASHION, su metmuseum.org, Metropolitan Museum of Art, November 2, 1998. URL consultato il 25 maggio 2014.
  45. ^ ROCK STYLE IS THEME FOR METROPOLITAN MUSEUM'S DECEMBER COSTUME INSTITUTE EXHIBITION, su metmuseum.org, Metropolitan Museum of Art, December 3, 1999. URL consultato il 25 maggio 2014.
  46. ^ a b Costume Institute Gala Returns, su bizbash.com, BizBash, luglio 31, 2002. URL consultato il 26 May 2014.
  47. ^ JACQUELINE KENNEDY: THE WHITE HOUSE YEARS, su metmuseum.org, Metropolitan Museum of Art, November 13, 2000. URL consultato il 25 maggio 2014.
  48. ^ Goddess to be Theme of Costume Institute's Spring 2003 Exhibition and Gala at Metropolitan Museum, su metmuseum.org, Metropolitan Museum of Art, May 2003. URL consultato il 25 maggio 2014.
  49. ^ Suzy Menkes, Voluptuous lives, 'Dangerous Liaisons', April 27, 2004. URL consultato il 26 May 2014.
  50. ^ Metropolitan Museum to Present Unprecedented Chanel Exhibition, su metmuseum.org, Metropolitan Museum of Art, May 2005. URL consultato il 25 maggio 2014.
  51. ^ AngloMania: Tradition and Transgression in British Fashion, su metmuseum.org, Metropolitan Museum of Art, April 22, 2006. URL consultato il 25 maggio 2014.
  52. ^ "Poiret: King of Fashion" at Metropolitan Museum's Costume Institute to Celebrate Paul Poiret, Visionary Artist-Couturier of Early 20th Century, su metmuseum.org, Metropolitan Museum of Art, April 22, 2006. URL consultato il 26 maggio 2014.
  53. ^ Poiret’s Descendents, in http://runway.blogs.nytimes.com/, New York Times, May 8, 2007. URL consultato il 24 maggio 2014.
  54. ^ Metropolitan Museum's Costume Institute Salutes Power of "Superheroes" Imagery in Fashion, su metmuseum.org, Metropolitan Museum of Art, May 2008. URL consultato il 26 maggio 2014.
  55. ^ Eric Wilson, Stars and Superheroes Sparkle at Museum Gala, May 6, 2008. URL consultato il 26 May 2014.
  56. ^ The Model as Muse Embodying Fashion, su metmuseum.org, Metropolitan Museum of Art. URL consultato il 24 maggio 2014.
  57. ^ Metropolitan Museum's Costume Institute Explores Role of Fashion Models as Muses of Recent Eras, su metmuseum.org, Metropolitan Museum of Art, May 2009. URL consultato il 26 maggio 2014.
  58. ^ Eric Wilson, A Museum Gala Where High Cheekbones and Higher Hemlines Rule, May 4, 2009. URL consultato il 24 maggio 2014.
  59. ^ "American Woman: Fashioning a National Identity" at Metropolitan Museum to Open May 5, 2010; First Costume Institute Exhibition Based on Renowned Brooklyn Museum Costume Collection, su metmuseum.org, Metropolitan Museum of Art, May 3, 2010. URL consultato il 25 maggio 2014.
  60. ^ Cathy Horyn, American Women on the March, May 3, 2010. URL consultato il 24 maggio 2014.
  61. ^ Suzy Menkes, Elegance Is the Norm at Costume Institute Gala, May 3, 2010. URL consultato il 24 maggio 2014.
  62. ^ Alexander McQueen’s Iconic Designs to be Celebrated in a Spring 2011 Costume Institute Retrospective, su metmuseum.org, Metropolitan Museum of Art, February 1, 2010. URL consultato il 24 maggio 2014.
  63. ^ Suzy Menkes, Alexander McQueen in All His Dark Glory, May 2, 2011. URL consultato il 24 maggio 2014.
  64. ^ Sharon Forrester, Met Ball 2011, in vogue.co.uk. URL consultato il 24 maggio 2014.
  65. ^ Elsa Schiaparelli and Miuccia Prada’s Impossible Conversations at Metropolitan Museum’s Costume Institute, su metmuseum.org, Metropolitan Museum of Art, May 7, 2012. URL consultato il 23 maggio 2014.
  66. ^ Punk Fashion Is Focus of Costume Institute Exhibition at The Metropolitan Museum of Art, su metmuseum.org, Metropolitan Museum of Art, May 9, 2013. URL consultato il 23 maggio 2014.
  67. ^ Lisa Armstrong, Met Ball 2013: The Punk Parade, May 7, 2013. URL consultato il 24 maggio 2014.
  68. ^ Charles James: Beyond Fashion May 8 – August 10, 2014, su metmuseum.org, Metropolitan Museum of Art, April 10, 2014. URL consultato il 23 maggio 2014.
  69. ^ Guy Trebay, Inside the Met Ball: Sculptures in Silk, May 7, 2014. URL consultato il 24 maggio 2014.
  70. ^ Booth Moore, Met Costume Institute Gala: Beyond fashion indeed. URL consultato il 24 maggio 2014.
  71. ^ http://www.metmuseum.org/exhibitions/listings/2014/death-becomes-her
  72. ^ China: Through the Looking Glass: Costume Institute’s Spring 2015 Exhibition at Metropolitan Museum to Focus on Chinese Imagery in Art, Film, and Fashion, su metmuseum.org, Metropolitan Museum of Art, April 14, 2015. URL consultato il 4 maggio 2015.
  73. ^ http://www.metmuseum.org/exhibitions/listings/2015/jacqueline-de-ribes
  74. ^ Manus x Machina: Fashion in an Age of Technology, su metmuseum.org, 2 maggio 2016. URL consultato il 3 maggio 2016.
  75. ^ http://www.metmuseum.org/exhibitions/listings/2016/masterworks
  76. ^ http://www.metmuseum.org/exhibitions/listings/2017/rei-kawakubo
  77. ^ http://www.artnews.com/2015/09/12/a-look-at-the-mets-top-ten-most-visited-exhibitions-of-all-time/

External links[modifica | modifica wikitesto]

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