Rembrandt: Sposa ebrea
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Artista |
Rembrandt
(1606–1669) |
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Nomi alternativi |
Rembrandt van Rijn, Nome di nascita: Rembrandt Harmenszoon van Rijn, Rembrandt Harmensz. van Rijn |
Descrizione |
pittore,
incisore e
abbozzatore dei Paesi Bassi |
Data di nascita/morte |
15 luglio 1606 |
4 ottobre 1669 |
Luogo di nascita/morte |
Leida |
Amsterdam |
Periodo di attività |
tra il 1625 e il 1669 circa date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1625-00-00T00:00:00Z/9,P1326,+1669-00-00T00:00:00Z/9,P1480,Q5727902 |
Luogo di attività |
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Authority file |
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artist QS:P170,Q5598 |
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Titolo |
Portrait of a Couple as Isaac and Rebecca, known as ‘The Jewish bride’ |
Tipo di oggetto |
dipinto |
Genere |
ritratto |
Persone ritratte |
Isacco |
Data |
tra il 1662 e il 1666 date QS:P571,+1662-00-00T00:00:00Z/8,P1319,+1662-00-00T00:00:00Z/9,P1326,+1666-00-00T00:00:00Z/9 |
Tecnica/materiale |
olio su tela medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
Dimensioni |
altezza: 121,5 cm; larghezza: 166,5 cm dimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728 |
Collezione |
Rijksmuseum
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Nome in lingua locale |
Rijksmuseum Amsterdam |
Localizzazione |
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Coordinate |
52° 21′ 36″ N, 4° 53′ 07″ E |
Istituito |
1800 |
Sito web |
rijksmuseum.nl |
Authority file |
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institution QS:P195,Q190804 |
Ubicazione attuale |
Gallery of Honour |
Numero d'inventario |
SK-C-216 |
Luogo di creazione |
Amsterdam |
Provenienza |
entro il 1825 date QS:P,+1825-00-00T00:00:00Z/7,P1326,+1825-00-00T00:00:00Z/9 : Vaillant (Probabilmente Christiaan Everhard Vaillant (1746-1829)), Amsterdam
1825: acquistato da John Smith (
commerciante d'arte), Londra, presso Vaillant, Amsterdam
dal 2 maggio 1828 al 3 maggio 1828date QS:P,+1828-05-00T00:00:00Z/10,P580,+1828-05-02T00:00:00Z/11,P582,+1828-05-03T00:00:00Z/11 : all'asta della collezione John Smith presso Stanley, Londra, lotto n. 67,(prezzo di vendita: 420 GBP) (as ‘Lot 67. Rembrandt. Jephthah and his Daughter. The judge of Israel, in compliance with his rash vow, is about to sacrifice his only child. The parties, according to modern notions, appear to be habited rather for the matrimonial than the sacrificial altar, for their dresses are of rich stuffs, and silks of great brilliancy, and the lady is adorned with pearls and jewels; but this is strictly in accordance with ancient custom. Rembrandt, however inelegant in his forms, is generally correct in his adaptations; no painter whatever tells his story with more thruth; no painter whatever has found a nearer way to the understanding. Instead of the cold common-place of covering the father's face with a robe or a veil to hide his grief, he has representing him with joyous countenance, mingled with affectionate regard, congratulating his daughter on the transit she is about to make, and, as far as human nature will permit, exhibiting signs of satisfaction that he has the fortitude to accomplish his vow. His daughter stands the willing as well as the devoted victim: oriental custom commanded andenforced obedience; and, in her case, piety and filial affection rendered obedience easy. This capital picture, painted in the artist's best time, is from the Collection of Monsieur Vaillant, of Amsterdam.’)
luglio 1833 (?): acquistato da Albertus Brondgeest presso Smith per Adriaan van der Hoop (1778-1854), Amsterdam
1854: legato in favore di the city of Amsterdam, Numero di inventario SA 8292, da Adriaan van der Hoop, Amsterdam
30 giugno 1885: prestato a the Rijksmuseum Amsterdam, Amsterdam, Numero di inventario SK-C-216, da the city of Amsterdam
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Esposizioni |
Rembrandt. Schilderijen bijeengebracht ter gelegenheid van de inhuldiging van Hare Majesteit Koningin Wilhelmina, Stedelijk Museum, Amsterdam, 8 settembre 1898–novembre 1898, cat. nº 119.
Rembrandt tentoonstelling ter plechtige herdenking van het 300-jarig bestaan der Universiteit van Amsterdam, Rijksmuseum, Amsterdam, 11 giugno 1932–4 settembre 1932, cat. nº 40.
Rembrandt Tentoonstelling. Ter herdenking van de geboorte van Rembrandt op 15 juli 1606, Rijksmuseum, Amsterdam, 18 maggio 1956–5 agosto 1956, Museum Boijmans Van Beuningen, Rotterdam, 8 agosto 1956–21 ottobre 1956, OCLC 15659340, cat. nº 96.
Rembrandt 1669/1969, Rijksmuseum, Amsterdam, 13 settembre 1969–30 novembre 1969, cat. nº 22.
Rembrandt-Caravaggio, 24 febbraio 2006–18 giugno 2006, Van Gogh Museum, Amsterdam, Cat.no. 29.
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Iscrizioni |
Firma e data in basso a destra:
Rembrandt f. 16[..]
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Riferimenti |
AnonimoUnknown author, Rijksmuseum Amsterdam online catalogue, as Isaac and Rebecca, Known as ‘The Jewish Bride’, 1665 circa date QS:P,+1665-00-00T00:00:00Z/9,P1480,Q5727902 -1669 circadate QS:P,+1669-00-00T00:00:00Z/9,P1480,Q5727902 , altezza: 121,5 cm; larghezza: 166,5 cmdimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728 .
AnonimoUnknown author, Amsterdam Museum collectie online, as Portrait of a couple as figures from the Old Testament, known as ‘The Jewish bride’, 1655-1675, altezza: 121,5 cm; larghezza: 166,5 cmdimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728 .
AnonimoUnknown author, RKDimages, Art-work number 3068, as Portrait of a couple as Isaac and Rebecca, 1662-1666, altezza: 121,6 cm; larghezza: 166,4 cmdimensions QS:P2048,121.6U174728 dimensions QS:P2049,166.4U174728
AnonimoUnknown author, Bildindex der Kunst und Architektur, object 20186112, come Das Brautpaar (Die Judenbraut), dopo il 1665date QS:P,+1665-00-00T00:00:00Z/7,P1319,+1665-00-00T00:00:00Z/9 , altezza: 121,5 cm; larghezza: 166,5 cmdimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728
AnonimoUnknown author, Web Gallery of Art, come The Jewish Bride, 1665 circadate QS:P,+1665-00-00T00:00:00Z/9,P1480,Q5727902 , altezza: 122 cm; larghezza: 167 cmdimensions QS:P2048,122U174728 dimensions QS:P2049,167U174728 .
Domenicus-van Soest, Marleen (2003) Les Chefs-d'oeuvre. Guide [mus.cat.], [Amsterdam]: Rijksmuseum Amsterdam, p. 108, as Isaac et Rébecca ou « La Fiancée Juive ». |
Authority file |
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Fonte/Fotografo |
www.rijksmuseum.nl : Home : Info |
Altre versioni |
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