Provenienza |
Philip of Burgundy, bishop of Utrecht (1464-1524), Kasteel Duurstede, Wijk bij Duurstede (as een taeffereel van Lubbertdas, die men de keye snyt) (?)
entro il maggio 1524date QS:P,+1524-05-00T00:00:00Z/7,P1326,+1524-05-00T00:00:00Z/10 : idem (as een tafreel van Lubbert Tas die men die keye uyt snyt) (?)
luglio 1527: all'asta della collezione Philip of Burgundy, bishop of Utrecht a Utrecht (?)
Data sconosciutaUnknown date : acquisito da Felipe de Guevara (1500-1563), Bruxelles/Madrid (?)
entro il 16 gennaio 1570date QS:P,+1570-01-16T00:00:00Z/7,P1326,+1570-01-16T00:00:00Z/11 : Beatriz de Haro (as Otro lienzo quadrado donde se cura de la locura, por guarnescer, porque todos los demas estan guarnescidos) (?)
16 gennaio 1570: acquistato da Philip II of Spain (1527-1598), Madrid, presso Beatriz de Haro (?)
1574: trasferito a Monasterio de El Escorial, San Lorenzo de El Escorial (?)
entro il 1794date QS:P,+1794-00-00T00:00:00Z/7,P1326,+1794-00-00T00:00:00Z/9 : duke Del Arco in the Quinta
Data sconosciutaUnknown date : acquisito da the king of Spain
Data sconosciutaUnknown date : trasferito a Museo del Prado, Madrid
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Riferimenti |
AnonimoUnknown author, RKDimages, Art-work number 61213, as De keisnijding, 1494 circa date QS:P,+1494-00-00T00:00:00Z/9,P1480,Q5727902 or later (1488–1516), altezza: 48 cm; larghezza: 35 cmdimensions QS:P2048,48U174728 dimensions QS:P2049,35U174728
AnonimoUnknown author, Royal Institute for Cultural Heritage Photolibrary, object number 40002087, as Excision de la pierre de folie, 1494 circadate QS:P,+1494-00-00T00:00:00Z/9,P1480,Q5727902 /dopo il 1494date QS:P,+1494-00-00T00:00:00Z/7,P1319,+1494-00-00T00:00:00Z/9 , altezza: 48 cm; larghezza: 35 cmdimensions QS:P2048,48U174728 dimensions QS:P2049,35U174728 .
AnonimoUnknown author, Web Gallery of Art, come The Cure of Folly (Extraction of the Stone of Madness), 1475-80, altezza: 48 cm; larghezza: 35 cmdimensions QS:P2048,48U174728 dimensions QS:P2049,35U174728 .
Fierens-Gevaert, [Hippolyte] (1912) ‘Jérôme Bosch’, Les Primitifs Flamands. Volume II, Bruxelles: G. van Oest & Cie., p. 172-173, 177, no immagine, come ‘Cure de la Folie ou Pintura de los locos’, Prado.
Fraenger, Wilhelm (1994) Hieronymus Bosch, Basel: The Gordon and Breach Publishing Group G+B Arts International, ISBN 976-6410-40-2, p. 175, come Cutting the Stone.
Friedländer, Max J. (1969) Early Netherlandisch Painting. Volume V. Geertgen tot Sint Jans and Jerome Bosch, Leyden: A.W. Slijthof, Brussels: La Connaissance, p. 87-88, cat. 105, come The Extraction of the Stone of Madness.
Koldeweij, A.M., P. Vandenbroeck en B. Vermet (2001) Jheronimus Bosch. Alle schilderijen en tekeningen, Rotterdam: NAi Uitgevers, Gent/Amsterdam: Ludion, ISBN 90-5662-219-6, p. 32, come Keisnijding, 1494 circadate QS:P,+1494-00-00T00:00:00Z/9,P1480,Q5727902 or later, altezza: 48 cm; larghezza: 35 cmdimensions QS:P2048,48U174728 dimensions QS:P2049,35U174728 , with color image.
Koldeweij, Jos, Paul Vandenbroeck, Bernard Vermet (2001) Hieronymus Bosch. The Complete Paintings and Drawings, Ghent/Amsterdam: Ludion, ISBN 0-8109-9064-4, p. 88, come Extraction of the Stone of Folly.
Marijnissen, Roger H. ([1987]) Hieronymus Bosch. Het volledige oeuvre, Haarlem: Gottmer/Brecht, ISBN 90-2300-651-8, p. 440, come De keisnijding.
Tolnay, Charles de (1986 [1984]) Hieronymus Bosch, Alphen aan den Rijn: Atrium, ISBN 90-6113-164-2, cat. nº 1, p. 335-336, come De Keisnijding, anno sconosciutoUnknown date , altezza: 48 cm; larghezza: 35 cmdimensions QS:P2048,48U174728 dimensions QS:P2049,35U174728 , with color image.
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