Vincent van Gogh: Vase with Cornflowers and Poppies
|
Artista |
Vincent van Gogh
(1853–1890) |
|
Nomi alternativi |
Vincent Willem van Gogh |
Descrizione |
pittore, disegnatore e incisore olandese |
Data di nascita/morte |
30 marzo 1853 |
29 luglio 1890 |
Luogo di nascita/morte |
Zundert |
Auvers-sur-Oise |
Periodo di attività |
tra il 1880 e il luglio 1890 circa date QS:P,+1850-00-00T00:00:00Z/7,P1319,+1880-00-00T00:00:00Z/9,P1326,+1890-07-00T00:00:00Z/10,P1480,Q5727902 |
Luogo di attività |
Paesi Bassi ( Etten, L'Aia, Nuenen, …, prima del 1886 date QS:P,+1886-00-00T00:00:00Z/7,P1326,+1886-00-00T00:00:00Z/9 ), Parigi (1886–1887), Arles (1888–1889), Saint-Rémy-de-Provence (1889–1890), Auvers-sur-Oise (1890) |
Authority file |
|
artist QS:P170,Q5582 |
|
Titolo |
Deutsch: Vase mit Kornblumen und Klatschmohn English: Vase with Cornflowers and Poppies |
Tipo di oggetto |
dipinto |
Genere |
natura morta |
Data |
giugno 1890 date QS:P571,+1890-06-00T00:00:00Z/10 |
Tecnica/materiale |
olio su tela medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
Dimensioni |
altezza: 66 cm; larghezza: 51 cm dimensions QS:P2048,66U174728 dimensions QS:P2049,51U174728 |
Collezione |
Collezione privata institution QS:P195,Q768717 |
Luogo di creazione |
Auvers-sur-Oise |
Provenienza |
- (probably) Dr. Paul Gachet, Auvers-sur-Oise [per Sotheby's sale catalogue and following]
- Gaston Alexandre Camentron, Paris
- Paul Cassirer, Berlin (acquired from the above in November 1911)
- Antoine Albert, Wiesbaden (acquired in 1914)
- Mrs. A. Albert, Munich (widow of the above; acquired in 1918)
- Georg Caspari, Munich
- M. Knoedler & Co., Inc., London (acquired on April 24, 1926)
- James Carstairs, Philadelphia (acquired in December 1926)
- M. Knoedler & Co., Inc., New York (acquired in October 1928)
- Anson Conger Goodyear, Long Island, New York (acquired in October 1928)
- George F. Goodyear, Buffalo, New York (acquired by decent from the above in December 1941)
- Albright Knox Art Gallery, Buffalo, New York (acquired in part from the above)
- Acquired from the Goodyear family in 1991
- Sale Sotheby's, New York, 4 November 2014: Price realized $61,765,000 includes Hammer Price and Buyer's Premium
|
Esposizioni |
- Berlin, Paul Cassirer, Vincent van Gogh, 1914, lot 27a [per Sotheby's sale catalogue and following]
- New York, The Museum of Modern Art, First Loan Exhibition: Cézanne-Gauguin-Seurat-van Gogh, 1929, illustrated pl. 92
- Buffalo, Albright Art Gallery, Catalogue of Exhibition Commemorating the Twenty Fifth Anniversary: An International Group of Paintings of Flowers, 1930, no. 67 (titled Flowers-Still Life)
- New York, The Museum of Modern Art, Modern Works of Art: Fifth Anniversary Exhibition, 1934-35, no. 15 (titled Poppies)
- New York, The Museum of Modern Art ; Philadelphia, Pennsylvania Museum of Art; Boston, Museum of Fine Arts; Cleveland, Museum of Art; San Francisco, Palace of the Legion of Honor; Kansas City, The William Rochill Nelson Gallery of Art; Minneapolis, The Institute of Arts; Chicago, The Art Institute; Detroit, Institute of Arts; New York, The Museum of Modern Art, Vincent van Gogh, 1936-37, no. 14 (titled Poppies)
- Washington, D.C., The Washington Gallery of The Museum of Modern Art, Flowers and Fruits, 1938, no. 22 (titled Poppies)
- Buffalo, Albright-Knox Art Gallery, Paintings, Sculpture, Drawings, Prints Collected by A. Conger Goodyear, 1966, no. 16 (titled Flowers of the Fields)
- Washington, D.C., National Gallery of Art, Paintings from the Albright-Knox Art Gallery, Buffalo, New York, 1968, illustrated in the catalogue
- Buffalo, Albright-Knox Art Gallery, on long-term exhibition, 1962-90
|
Note |
cataloghi ragionati:
- F280: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, nº280 .
- JH2032 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, nº 2032.
- There are no mentions of this painting in Vincent's letters. De La Faille assigned the painting to his Paris era, but later editors to his last year at Auvers because of its stylistic resemblance to Vase with Field Flowers and Thistles (F763), which can be dated to around 17 June 1890 from the letters (Hulsker (1977) p. 466).
- The painting realized $61,765,000 at a Sotheby's sale 4 November 2014, New York. This was a record price for a van Gogh still-life.[1]
|
Riferimenti |
- Naifeh, Steven and Smith, Gregory White. Van Gogh: the Life, New York: Random House, 2011. ISBN 978-0-375-50748-9
- Julius Meier-Graefe, Vincent van Gogh, Munich, 1918, illustrated p. 11 (titled Blumenstrauss) [per Sotheby's sale catalogue and following]
- Jacob-Baart de la Faille, L’Oeuvre de Vincent van Gogh, Paris and Brussels, 1928, vol. I no. 280, catalogued p. 82; vol. II, illustrated pl. 77 (dated incorrectly Epoque de Paris)
- “Fruits & Flowers: Spring in the Capital,” The Art News, New York, April 2, 1938, illustrated p. 11 (titled Poppies)
- Jacob-Baart de la Faille, The Works of Vincent van Gogh: His Painting and Drawings, Amsterdam, 1970, no. 280 , pp 309 and 622 illustrated, p. 308 (titled Still life Vase with Daises and Poppies)
- Paul Aletrino, Tout van Gogh, 1888-1890, La Peinture, Paris, 1982, no. 67, illustrated p. 80 (titled Fleurs de Champs)
- Alain Mothe, Vincent van Gogh à Auvers-sur-Oise, Paris, 1987, illustrated in color p. 81
- Walter Feilchenfeldt, Vincent van Gogh and Paul Cassirer, Berlin, The Reception of van Gogh in Germany from 1902-1913, Amsterdam, 1988, illustrated p. 86 (titled Still life: Vase with Daises and Poppies)
- Ingo Walter & Rainer Metzger, Vincent van Gogh, The Complete Paintings, Cologne, 1990, illustrated p. 661
- Jan Hulsker, The Complete van Gogh, Paintings, Drawings, Sketches, New York, 1996, no. 2032, illustrated p. 466
- The Real Van Gogh, The Artist and his Letters (exhibition catalogue), Royal Academy of Arts, London, 2010, discussed p. 272
- Walter Feilchenfeldt, Vincent van Gogh, The Years in France, Complete Paintings 1886-1890, London, 2013, illustrated in color p. 250
|
Fonte/Fotografo |
repro from artbook |
Licenza (Riusare questo file) |
Questa è una fedele riproduzione fotografica di un'opera d'arte bidimensionale originale. L'opera d'arte fotografata è nel pubblico dominio per la seguente ragione:
Public domainPublic domainfalsefalse
|
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
La posizione ufficiale presa dalla Wikimedia Foundation è che le riproduzioni fedeli di opere d'arte bidimensionali nel pubblico dominio siano da considerare anch'esse nel pubblico dominio, e che qualsiasi affermazione contraria rappresenta un attacco al concetto stesso di pubblico dominio (" faithful reproductions of two-dimensional public domain works of art are public domain, and that claims to the contrary represent an assault on the very concept of a public domain"). Per maggiori dettagli, vedi Commons:When to use the PD-Art tag. Questa riproduzione fotografica è di conseguenza da considerarsi nel pubblico dominio.
Per favore, fai attenzione al fatto che, a seconda delle leggi locali, il riutilizzo di questo contenuto potrebbe essere proibito o limitato nella tua giurisdizione. Vedi Commons:Reuse of PD-Art photographs.
| |
Altre versioni |
|