Provenienza |
entro il 1738 date QS:P,+1738-00-00T00:00:00Z/7,P1326,+1738-00-00T00:00:00Z/9 : Jacques I, Prince de Monaco, Duc de Valentinois (1689-1751), Parigi
1751: ereditato da Honoré III, Prince de Monaco (1720-1795) (?)
entro il 15 luglio 1802date QS:P,+1802-07-15T00:00:00Z/7,P1326,+1802-07-15T00:00:00Z/11 : Féréol de Bonnemaison, Parigi
tra il 15 luglio 1802 e il 17 luglio 1802date QS:P,+1802-07-00T00:00:00Z/10,P1319,+1802-07-15T00:00:00Z/11,P1326,+1802-07-17T00:00:00Z/11 : all'asta della collezione Féréol de Bonnemaison presso Lebrun, Parigi, lotto n. 43 (as ‘Rembrandt. 1660. Le propre portrait de Rembrandt, la tête couverte d’une tocque noire, & vêtu d’une robe de couleur brunâtre, de grandeur naturelle & vu à mi-corps. Ce Tableau capital, & du plus beau faire de Rembrandt, sort de la collection du feu duc de Valantinois. – Haut.r 30 pouces, larg.r 25. T.’)
entro il 1825date QS:P,+1825-00-00T00:00:00Z/7,P1326,+1825-00-00T00:00:00Z/9 : William Waldegrave, 1st Baron Radstock (1753-1825)
13 maggio 1826: acquistato da Alexander Baring, 1st Baron Ashburton (1774-1848), all'asta della collezione William Waldegrave, 1st Baron Radstock presso Christie’s, Londra, lotto n. 31 (as ‘Rembrandt. Portrait of Rembrandt, by himself. An admirable Picture. A black Hat or Cap, placed obliquely on the head, gives a very brilliant relief to the countenance, which is lighted up with rich effect. The flesh exhibits every variety of tint, harmoniously blended: - a true representation of nature. From the collection of the Duc de Valentinois - 30.5 inches by 25.5’)
1848: ereditato da Bingham Baring, 2nd Baron Ashburton (1799-1864), da Alexander Baring, 1st Baron Ashburton
1864: ereditato da Francis Baring, 3rd Baron Ashburton (1800-1868), da Bingham Baring, 2nd Baron Ashburton
1868: ereditato da Alexander Baring, 4th Baron Ashburton (1835-1889), da Francis Baring, 3rd Baron Ashburton
1889: ereditato da Francis Denzil Edward, 5th Baron Ashburton (1866-1938), da Alexander Baring, 4th Baron Ashburton
entro il 1908date QS:P,+1908-00-00T00:00:00Z/7,P1326,+1908-00-00T00:00:00Z/9 : Arthur J. Sulley & Co. (
commerciante d'arte), Londra
entro il 1909date QS:P,+1909-00-00T00:00:00Z/7,P1326,+1909-00-00T00:00:00Z/9 : Charles Sedelmeyer (
commerciante d'arte), Parigi
1909: acquistato da Benjamin Altman (1840-1913), New York, presso Charles Sedelmeyer, Parigi
1913: legato in favore di Metropolitan Museum of Art, New York, da Benjamin Altman, New York
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Esposizioni |
[Pictures by Italian, Spanish, Flemish, Dutch, and English masters], British Institution, Londra, giugno 1829, cat. nº 10.
Exhibition of Works by the Old Masters and by Deceased Masters of the British School. Winter Exhibition, Royal Academy of Arts, Londra, 1890, cat. nº 145.
The Art of Rembrandt, The Metropolitan Museum of Art, New York, 21 gennaio 1942–?, no catalogo.
Rembrandt, The Metropolitan Museum of Art, New York, 1952, no catalogo.
Portrait of the Artist, The Metropolitan Museum of Art, New York, 18 gennaio 1972–7 marzo 1972, Cat.no. 8.
Rembrandt/Not Rembrandt in The Metropolitan Museum of Art, 10 ottobre 1995–7 gennaio 1996, The Metropolitan Museum of Art, New York, Cat.no. 15.
The Age of Rembrandt, Dutch paintings in the Metropolitan Museum of Art, The Metropolitan Museum of Art, New York, 18 settembre 2007–6 gennaio 2008, no catalogo.
Rembrandt by himself/Rembrandt zelf, 5 giugno 1999–5 settembre 1999, National Gallery, Londra, 25 settembre 1999–9 gennaio 2000, Koninklijk Kabinet van Schilderijen Mauritshuis, L'Aia, Cat.no. 80.
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Riferimenti |
Metropolitan Museum of Art, as Self-Portrait, altezza: 80,3 cm; larghezza: 67,3 cm dimensions QS:P2048,80.3U174728 dimensions QS:P2049,67.3U174728 .
RKDimages, Art-work number 29850, as Self-Portrait, altezza: 80,3 cm; larghezza: 67,3 cmdimensions QS:P2048,80.3U174728 dimensions QS:P2049,67.3U174728
Web Gallery of Art, come Self-Portrait, altezza: 80 cm; larghezza: 67 cmdimensions QS:P2048,80U174728 dimensions QS:P2049,67U174728 .
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