Provenienza |
entro il 1933 date QS:P,+1933-00-00T00:00:00Z/7,P1326,+1933-00-00T00:00:00Z/9 : George Robins, Londra (?)
entro il 1862date QS:P,+1862-00-00T00:00:00Z/7,P1326,+1862-00-00T00:00:00Z/9 : Sir Adam Hay, 7th Baronet (1795-1867) (as Paolo di Negroli)
1867: ereditato da Sir Robert Hay, 8th Baronet (1825-1885) (?)
1885: ereditato da Sir John Adam Hay, 9th Baronet (1854-1895) (?)
entro il 1909-1911: Sir Duncan Edwyn Hay, 10th Baronet (1882-1965)
dal 1909 al 1911date QS:P,+1950-00-00T00:00:00Z/7,P580,+1909-00-00T00:00:00Z/9,P582,+1911-00-00T00:00:00Z/9 : prestato a the Victoria and Albert Museum, Londra
entro il 26 marzo 1913date QS:P,+1913-03-26T00:00:00Z/7,P1326,+1913-03-26T00:00:00Z/11 : Samuel J. Whawell, Eastbourne
entro il 1916date QS:P,+1916-00-00T00:00:00Z/7,P1326,+1916-00-00T00:00:00Z/9 : Partridge
dopo il 12 luglio 1916date QS:P,+1916-07-12T00:00:00Z/7,P1319,+1916-07-12T00:00:00Z/11 : acquistato da Joseph E. Widener (1871-1943), Lynnewood Hall, Elkins Park, Pennsylvania (as Paolo di Negroli, mid-sixteenth century)
1923: prestato a the Metropolitan Museum of Art, New York
1942: donato a the National Gallery of Art, Washington
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Esposizioni |
Catalogue of a most splendid and instructive Collection of antient armour [...] (?), Oplotheca, Londra, 1816, cat. nº 90, p. 12-13, come ‘This superb Helmet said to have belonged to Francis I. is of the very finest style of workmanship.–It appears to be the design of Lionardo Da Vinci, and the execution of Benvenuto Celini,–the front represents a chimera, or sort of dolphin's head, the eyes of which are finely executed, as is also the beautiful arabesque ornaments that enrich the head and the crest.–It must be allowed to be a piece of work worthy the artists who performed it, and the Monarch for whom it was wrought.’.
Catalogue of a Splendid Collection of Ancient Armour [...], Gothic Hall, Pall Mall, Londra, 1818, cat. nº 108.
Catalogue of a Splendid Collection of Military Antiquities [...], Gothic Hall, Pall Mall, Londra, 1819, cat. nº 114.
Catalogue of a Splendid Collection of Military Antiquities [...], Gothic Hall, Pall Mall, Londra, 1820, cat. nº 114.
Descriptive Catalogue of a Very Costly and Superb Collection of Military Antiquities [...] (?), Royal Armoury, Haymarket, Londra, [1821 circadate QS:P,+1821-00-00T00:00:00Z/9,P1480,Q5727902 ], cat. nº 50.
Special Exhibition of Works of Art of the Medieval, Renaissance, and More Recent Periods on Loan at the South Kensington Museum, South Kensington Museum, Londra, giugno 1862, cat. nº 4685, p. 365.
Helmets. A Loan Collection, The Metropolitan Museum of Art, New York, luglio 1924–15 settembre 1924 (?), no catalogo.
Loan Exhibition of European Arms and Armor, The Metropolitan Museum of Art, New York, 3 agosto 1931–27 settembre 1931, cat. nº 82, p. 27, with image in black and white, come Burganet, Milanese, 1540 [...]. Lent by Joseph E. Widener..
The Sforza Court. Milan and the Renaissance, 1450-1535, Archer M. Huntington Art Gallery, Austin, 27 ottobre 1988–18 dicembre 1988, University Art Museum, The University of California, Berkeley, 18 gennaio 1989–12 marzo 1989, Yale University Art Gallery, Yale University, New Haven, 16 aprile 1989–4 giugno 1989, ISBN 0935213139, cat. nº 80, p. 17, 25, immagine 24.
Fanciful Flourishes. Ornament in European Graphic Art and Related Objects, 1300-1800, National Gallery of Art, Washington, 30 marzo 1994–21 agosto 1994, brochure, cat. nº 23, with image in black and white, come Gian Paolo Negroli, Helmet in the Form of a Grotesque Mask, 1549 circadate QS:P,+1549-00-00T00:00:00Z/9,P1480,Q5727902 , ferromedium QS:P186,Q677 .
Heroic Armor of the Italian Renaissance. Filippo Negroli and his Contemporaries, The Metropolitan Museum of Art, New York, 8 ottobre 1998–17 gennaio 1999, ISBN 0-87099-872-2, cat. nº 44, p. 230-232, come Giovan Paolo Negroli, Burgonet, 1540-1545 circa, acciaio e oro.
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